Monday, June 27, 2011

Travel Down This Road With Me

The lives of men can be measured by the cars they once owned. Every guy I know can tell you what kind of car they had in what year and where they lived and who they were dating. They even know the horsepower, the mileage, the cost of gasoline then, and what songs they listened to while cruising down the road. Cars don’t only take you somewhere in space. They travel in time.

A phone call I received a couple of days ago turned out to be a bridge to the past. Here's a bit of back-story to set the scene.

My first car was a brand-new 1956 Chevy Bel-Aire convertible. My dad bought it for me at Barford Chevrolet two years before I graduated college. This beauty was white with a black top, white sidewalls, automatic transmission, and an AM radio with buttons. It was - and still is - one of the sharpest looking cars to ever grace the road. At least in my eyes.

Since that first car, I had never been without a convertible. Until now. The Chevy was followed by a ‘60 Corvette, then a ‘65 Olds Jetstar, an ‘84 Dodge Dart - an embarrassment - and finally an ‘88 Mazda RX-7. All convertibles. I sold the RX-7 two years ago, which ended my mobile time in the sun.

Those old cars have the same power over me as old girlfriends and beloved dogs. A fleeting image, a scent, a setting, a song - wham, I am back in the past. Which is where I ended up when I got that call. A young man’s voice inquired, “Gerald Mandel?”

“Gerald?”, I thought. He must be making cold calls, reading my name from some purchased list of potential suckers. He’s going to try to sell me a weekend on Arkansas lakefront property, or season tickets to the Rep. “Yes,” I said, just seconds away from adding, “I don’t buy anything over the phone” and hanging up.

The voice continued. “Did you used to own a 1965 Olds Jetstar convertible?”

Whatever he was selling, I was ready to buy. “Yes, I did.” He couldn’t see the smile of wonder on my face. “Why?”

“I own it now, Gerald.”

“Gerry. Please.”

“Gerry. And I just wanted to talk about it.”

Which we did. For the next half hour. His name is Shawn. He lives outside Kansas City. He found the car through Craigslist, covered in dust in some guy’s barn. It didn’t run. Shawn bought it, towed it to his house, replaced the engine with a Delta-88 425 hp rebuilt job. The car now runs. Pretty well. He’s still working on it.

I, in turn, told him some of my Olds’ stories. How my daughter drove it in high school, called it her Bat Car. (It was dark blue). How I put our two Golden Retrievers, Chelsea and Abbey, in the back seat and went to Ted Drews almost weekly (“cholesterol” wasn’t in my vocabulary yet). How I had to add a can of some STP chemical to the gas tank when they stopped making leaded gas. How I got married in 1965, so the car and my marriage are both 46 years old. And still running. How I still feel the pain of separation when I think about the day I sold it to some guy from Illinois and watched him drive away. It was the last time I ever saw my Olds.

Until the day Shawn called. He emailed me some photos of the way it looks now. It’s gorgeous. I wish I still owned it. Great body, smooth lines, exquisite detail, no dents, bruises, rips or rust. Here’s the clincher. Shawn gets into St. Louis occasionally.

“I’d love to see it,” I said quickly.

“I’d love for you to see it,” he said, “and have you drive it. And get a picture. You and me. The first owner and the last. And the Olds.”

I’m ready to roll. I’ll even buy Shawn a large concrete at Ted Drews.
Now if only someone would call about that white '56 Chevy.



My son Gregg with the '65 Olds, circa 1983.
Same Olds, today, from new owner. 

Monday, April 4, 2011

A Sign From Above

High marks for a beautiful sunset on Sunday evening. Or maybe it's the latter day Scarlet Letter.



Wednesday, March 30, 2011

Better Than Good. And Even Best.

Mark Twain urged caution about choosing the right adjective. He said "A man's character may be learned from the adjectives which he habitually uses in conversation." If you listen to how people talk, you know what he means. The same can be said of how a writer writes: check out his adjectives. For me, that's one of the most difficult parts of writing (hardest? stressful? laborious?) And too many times I find myself drifting back toward the old stand-by's "good" and "great" and "fast" and "tall." All those vague and tired words. (Are "vague" and "tired" vague and tired? I don't know.)

So it was with relief that I came across, while enjoying a bowl of Shredded Wheat, some marvelous adjectives in a recent New Yorker magazine. "They sure have a way with adjectives," I thought. "I should share these." So, here they are. They were used in the magazine's capsule reviews of "Recitals." I don't know why I was looking in Recitals. I'm not interested in going to one. Most of them are painfully long. And I don't even have plans to go to New York. Shows you how Shredded Wheat can dull the mind.

First there was an "admired violinist" from Japan at Zankel Hall. I wonder who admired him.
Then there was "The superb Baroque ensemble" at Columbia University. I firmly believe that a Baroque ensemble must be "superb" at the minimum to hold an audience for more than six minutes.
Next was the "magisterial pianist"who has thrilled audiences for more than four decades. He's at Carnegie. Is he "magisterial" in the way he plays? Or maybe how he walks or how he dresses. In a cape, perhaps.
Their imagination began to wane here, because the next act was a "superb young British foursome" doing their thing at Alice Tully Hall. I assume "superb" is the minimum price of entry into these pages.
After that came "the renowned group"that performed music by 3 composers I've never heard of, also at Alice Tully Hall. Again, renowned where? New York? London? Zaire?
And finally we have "three distinguished keyboard colleagues" appearing with "the musical major-domo" of something or other. I'm not sure what a "major-domo" is, but it's got to be worth seeing.

You've got to admit, those are better choices of descriptors than "interesting" or "fine" or "really good," even surpassing "popular" and "cool." All you need is the right word to fire the public's interest. Again, to quote Twain: "The difference between the right word and the almost right word is the difference between  lightning and a lightning bug." Ladies and gentlemen, choose your words.

Saturday, March 26, 2011

Spring Snow: A Long Winter's Tale

I've been sitting here for several minutes, feeling the urge to post something, wanting to say something poetic and uplifting about what I see out my window right now. But I'm not up to the task. I've seen the scene too many times in the past 3 months. Feels more like 6. And there is still white stuff coming down. If I truly had the soul of a poet, I could find comfort and beauty in the scene. Like, say something about delicate dusting of pine trees with nature's frosting. Or the silent drift of countless snowflakes blanketing the lawn, covering up little yellow flowers that no longer stand a chance at making it to summer. Even confusing the robins, making them think they returned to the wrong latitude. I wonder if robins like frozen worms. We'll find out.  To show you what an optimist I am, I dashed outside mid-week, when the sun was out and the temperature hovered in the high 60's, uncovered our deck furniture and arranged it to welcome Spring in all its glory. It's like throwing a big party and nobody comes. I should know by now: you don't do a thing for spring in St. Louis until mid-April. Still, with global warming in full swing, I thought, sure, we'll have an early spring. Notice I can't bring myself around to capitalizing S(s)pring every time. It's unworthy.
News flash: These photos are outdated. The snow is even deeper now. I think I'll listen to some music, pull out some old standards, like "Spring will be a little late this year," and "Spring can really hang you up the most." Yep, I'm hung up. That's what I'll do now.

Tuesday, March 15, 2011

The Final Frontier: e-books

MAJOR LITERARY ANNOUNCEMENT: With the help of an excellent book designer, Cathy Wood, I am happy to say my novel is available as an e-book. Which means my words can now be carried in a Kindle or iPad or Droid or wherever the hell these things end up. And think of all the trees that will be saved. The title, as you probably know by now, is "Shadow and Substance: My Time with Charlie Chaplin." 
http://www.smashwords.com/books/view/47143

Sunday, February 27, 2011

Good-bye, Jay...and thanks for the good times.

Jay Landesman was an integral part of the cultural scene in St. Louis for many years, and a big part of my directionless youth. Not that I was a pal of his. I knew who he was, shook hands with him whenever I had the opportunity, but I doubt if he knew my name. That's okay. He was cool. I spent a lot of time in Gaslight Square. Cool jazz at the Dark Side, the Other Side (Spider Burke's place), and Georgie's; dixieland jazz at Smokey Joe's and the Tiger's Den (the swinging two-beat temple of Sammy Gardner and the Mound City Six); hip and hilarious comedy, distinctive bars, and a vibrant street scene. Like a small rendition of The Village. 

Mary Lee (my wife of several years) and I used to celebrate TGIF there after we got off work at KMOX-TV (before it was KMOV). Olive and Boyle was a great gathering area, and Jay was largely responsible for inspiring it...thanks to his Crystal Palace. I have clear memories - at least they're clear in my head - of that place, where I saw the Smothers Brothers, Lenny  Bruce (it was the first time I ever heard the "f" word on a stage), Jack E. Leonard, a nerdy and nervous Woody Allen, Nichols & May, and others...including a very young and shy Barbra Streisand. When I saw her, as the opening act for the Smothers Brothers, I predicted, "She's not very pretty. She'll never make it." That might have been the same year I bought an Edsel. Thanks to the wonderful comics and satirists and improv geniuses, I developed a love and appreciation for slightly off-center humor. Okay, more than "slightly." 
Jay had a full-time piano player in the bar named Tommy Wolf, who wrote songs with Jay's wife, Fran. Strange: the more I'm writing about Gaslight, the more I remember. Some other time, maybe.

Yes, St. Louis had a Golden Age once, and its name was Jay Landesman.
Thanks, Jay. Whenever I think of "cool," "hip," and an inspiration, I think of you.

Saturday, February 5, 2011

AARRRRGGHHHHHH!!!!!

I woke up this morning and looked out the window. IT'S BACK!!!!!! Words fail me.